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LOGANA R T S 15 Crawford Road, Milngavie, Glasgow United Kingdom G62 7LE T : +44 (0) 141 404 7444 | M : + 44 (0) 7841 582 851 E : [email protected] M A N A G E M E N T W : www.loganartsmanagement.com JONATHANBERMAN CONDUCTOR TherisingstaroftheBritishclassicalmusic…thecharismaticBritishmasterofthebaton LithuanianArtsNews “Oneofthemoststrikingelementshasbeenhisopenandwarmwayofcommunicating…Inhishands themusicgetsagoodchancetodevelopexpressivelyandhisaccurateconducting,incombinationwith thejoythisyoungmanshows,isaguaranteeofthebestpossibleperformance.” JacvanSteen “[Jonathan]isamostgiftedyoungconductorandanexcellentmusician,alsoapersonofexceptionally thoughtfulcharacter…Heis,simply,anexceptionalperson,highlytalented,quietlypassionateinhis desiretodothebestformusicinanywayhecan.” OliverKnussen Jan2017 T : +44 (0) 141 956 6220 M : +44 (0) 7841 582 851 | E : [email protected] | W : www.loganartsmanagement.com LOGANA R T S M A N A G E M E N 2 T BIOGRAPHY Jonathan Bermanis an award winning conductor acclaimed for his operatic, orchestral, and contemporary repertoire. He has an international reputation working in Germany, UK, US, Italy, the NetherlandsandScandinaviaandisbroadcastandregularlyonradioandtelevision. Jonathan was the winner of the prestigious Kempinski Young Artist Programme 2014 in Berlin. This enabled him to spend time with Franz Welser-Möst and the Cleveland Orchestra, and with Michael TilsonThomasandtheNewWorldSymphonyOrchestra.HewasthefirstconductorandfirstBrittowin theprize. Jonathan is much sought after in repertoire ranging from classical to contemporary. His recent and upcoming engagements include City of Birmingham Symphony Orchestra, Rotterdam Philharmonic Orchestra, London Philharmonic Orchestra, BBC Symphony Orchestra, Turku Philharmonic, Basel Sinfonietta, Bilkent Symphony Orchestra, Lithuanian National Symphony Orchestra, Tanglewood Festival,BrittenSinfonia,HagenPhilharmonicOrchestra,SouthbankSinfonia,CityChamberOrchestraof HongKong,andtheAldeburghFestivalOrchestra. JonathanconductingatTanglewoodintheworldpremierofGuntherSchuller’sMagicalTrumpets Jonathan is a tireless champion of new music working closely with the composers of today: Knussen, Goehr, Birtwistle, Maxwell Davies, Benjamin, Anderson, Harbison, Gandolfi, Turnage, Schuller, Wuorinenandmanymorefromhisowngeneration.HeworkswiththeLondonSinfonietta,Birmingham Contemporary Music Group, New European Ensemble, Ensemble Modern, KNM Berlin, The Ligeti Academy,theBrittenPearsEnsembleandtheCrashEnsembleDublin.HemadehisBBCPromsdebutin 2014withtheLondonSinfoniettainaMaxwellDaviesPortrait,andhereturnedin2016withtheBBC Symphony Orchestra and Oliver Knussen in a premiere by Reinbert de Leeuw, which required two conductors.HemadehisWigmoreHalldebutin2015withBCMGandreturnedin2016withEnsemble ModernwithwhomhehasalsomadehisdebutattheAlteOper,Frankfurt.InSeptember2016,hewas invitedtoopentheGAIDAFestivalinLithuania,whereheconductedtheLithuanianNationalSymphony orchestra, including world premiers of Lithuanian works from Baltakas and pieces by Liza Lim. T : +44 (0) 141 404 7444 M : +44 (0) 7841 582 851 | E : [email protected] | W : www.loganartsmanagement.com LOGANA R T S M A N A G E M E N 3 T Inadditiontoconcertwork,operaisasignificantpartofJonathan’sperformances.Attheageof18he was invited by Antonio Pappano to observe productions at the Royal Opera House, London. Subsequently,heassistedonhisfirstoperainItalyandconductedhisfirststagedproductionthenext year.HehassincedirectedproductionsrangingfromMaxwellDavies’sTheLighhousetoMozart’sLa ClemenzadiTito,andmostrecentlyahighlyacclaimedproductionofDebussy’sPelléasetMélisande. JonathanBermanconductswithgreatcareandelegance.It’sabrave,deeplyaffectingachievement. GuardianonDebussyPelléasetMélisande JonathanBermanexpertlyconductsDebussy’senigmaticmasterpiece. FinancialTimesonDebussyPelléasetMélisande HehasconductedproductionsfortheNationaleReisOpera,EnglishTouringOpera,AldeburghFestival, GrachtenFestival,OperaStudioNetherlands,DutchNationalOperaAcademy,CentreforOperaStudies inItaly;hehasassistedattheRoyalOperaHouse,BarbicanCentre,HollandFestival,andhasleadopera coursesatDartingtonSummerSchoolandtheJerwoodOperawritingcourseattheAldeburghFestival. Hisoperaticrepertoireincludesover30operasbyMozart,Puccini,Verdi,Mussorsky,Debussy,Poulenc, Britten, Knussen, Maxwell Davies, George Benjamin, Turnage, Benjamin Scheuer and Gerald Barry. UpcomingoperaproductionsincludeMahoganyOperaandtheRoyalOperaHouseLinburyStudio. Jonathan’sbigbreakcameinwhenhetookovertwoconcertsatTanglewoodfromtheindisposedOliver Knussen and Stefan Ashbury. The concerts included a posthumous premiere of Gunter Schuller (who wasasupporterofJonathan’s),worksby BrunoMaderna,OliverKnussen,MarkAntonyTurnage,Elliot CarterandapremierebyCharlesWuorinenwithsoloistPeterSerkin. ButallthisprovedgoodnewsfortheyoungBritishconductorJonathanBerman,whopickedupalltheworks Mr.KnussenandMr.Asburyweretohaveled,anddidsowiththekindofclarityandassurancethatmighthave made headlines had he been thrust suddenly onto the Boston Symphony’s podium in a program of repertory staples. WallStreetJournal Jonathan Berman, a young English conductor with a sizable contemporary-music résumé, was scheduled to conduct only Megalith, but somehow managed to step in for all five works and did a spectacular job, his performancesconfidentandshapelyandalive. BostonMusicalIntelegencia Jonathan Berman, a rising star in Europe and a 2012 Tanglewood conducting fellow, became one of the festival’sheroesbyconducting,atshortnotice,thisentireprogram—oneofthepiecesatsuchshortnoticeit didn’thaveasinglerehearsal. BerkshireReview A particular strength is Jonathan’s creative programming. Jonathan curated a series of concerts at London’s Southbank Centre for the ‘Changing Britain’ festival, which was critically acclaimed as ‘the mostexcitingconcertsinLondonfor10years’. Upcoming projects include an evening around Bruckner’s Symphony No.4 with texts combining spirituality and nature; concerts for the KNM Berlin looking at various aspects of what defines individuality and groups; and Jonathan is also Artistic Director of a festival between Amsterdam and Berlintocelebratethe85thBirthdayofAlexanderGoehr. T : +44 (0) 141 404 7444 M : +44 (0) 7841 582 851 | E : [email protected] | W : www.loganartsmanagement.com LOGANA R T S M A N A G E M E N 4 T He studied in Holland with Jac van Steen, with whom he completed both Bachelor's and Master’s degrees. Jonathan was a conducting Fellow at Tanglewood and has also studied with Kenneth Montgomery, Lucas Vis, George Hurst, and Leonid Korchmar (Mariinsky theatre, St Petersburg). JonathanoriginallystudiedvioloncellowithSueLoweandDimitriFerschtman. AspartofhisstudiesJonathanworkedasanassistantconductorseekingoutconductorsandorchestras to learn from, including: Vladimir Jurowski and the London Philharmonic Orchestra where he was assistantfor14/15season,regularlywithmentorOliverKnussen(StPaul'sChamberOrchestra,Atlanta Symphony, National Symphony Orchestra Washington, Seattle Symphony, Aldeburgh Festival, Holland Festival),JacvanSteen(DortmundPhilharmonic,CBSO,BBCNOW,OperaNorth),SirRogerNorrington (SWR Orchestra Stuttgart), Kenneth Montgomery (Ulster Orchestra), and Ryan Wigglesworth (Britten Sinfonia), assistant conductor for the Saariaho Festival in Den Haag, and Stanislaw Skrowacewski who continuedtofeedJonathan’spassionforBruckner. JonathanBermanisafellowoftheKempinskiYoungArtistProgram. BIOGRAFIE Jonathan Berman ist ein mehrfach preisgekrönter Dirigent, bekannt für sein Opern-, Konzert- und zeitgenössisches Repertoire. Er hat einen exzellenteninternationalen Ruf,arbeitet in Deutschland, UK, Italien,denNiederlandenundSkandinavienundistregelmässigimRundfunkundFernsehenvertreten. Berman istsehr gefragt als Interpret von der Musik der Wiener Klassik bis zur Gegenwart. Zu seinen jüngsten zukünftigen Auftritten gehören Konzerte mit dem Cityof Birmingham Orchestra, Rotterdam PhilharmonicOrchestra,LondonPhilharmonicOrchestra,BBCSymphonyOrchestra,TurkuPhilharmonic, Basel Sinfonietta, Bilkent Symphony Orchestra, Lithuanian National Symphony Orchestra, Tanglewood Festival,BrittenSinfonia,HagenPhilharmonicOrchestra,SouthbankSinfonia,CityChamberOrchestraof HongKong,undtheAldeburghFestivalOrchestra. NebendenvielenKonzertenistderjungeBriteaberauchinderOperzuerleben.Mit18Jahrenwurde ervon Sir Antonio Pappano eingeladen, bei denProduktionen desRoyal Opera House inLondon zu hospitieren. Anschliessend assistierteer zum ersten Mal ineiner Opernproduktionin Italien,undim folgenden Jahr dirigierteer seine erste Bühnenaufführung. Er hat seitdem Produktionen von The Lighthouse von Maxwell Davies biszu Mozarts LaClemenza di Tito geleitetund neulicheine hoch anerkannteProduktionvonDebussysPelléasetMélisandedirigiert. Jonathan setzt sich unermüdlich ein für Neue Musikund arbeitet eng zusammen mit Komponisten unserer Zeit wieKnussen, Goehr, Birtwistle, Maxwell Davies, Benjamin,Anderson, Harbison, Gandolfi, Turnage,Schuller,WuorinenundvielenanderenausseinereigenenGeneration.ErarbeitetmitLondon Sinfonietta, BirminghamContemporary Music Group, New European Ensemble, Ensemble Modern, KNM Berlin, The Ligeti Academy, the Britten Pears Ensemble unddem Crash Ensemble Dublin. Sein Debüt bei den BBC Proms gab er2014 mit derLondon Sinfonietta imRahmen eines Maxwell Davies Porträts, und er war der zweite Dirigentmit dem BBC Symphony Orchestra und Oliver Knussen in der UraufführungeinesWerkesvonReinbertdeLeeuwbeidenBBCProms2016.ErgabseinWigmoreHall Debutim2015mitderBirminghamContemporaryMusicGroupundkehrteim2016mitdemEnsemble Moderndorthinzurück. T : +44 (0) 141 404 7444 M : +44 (0) 7841 582 851 | E : [email protected] | W : www.loganartsmanagement.com LOGANA R T S M A N A G E M E N 5 T Berman war Gewinner des renommierten Kempinski Young Artist Programms 2014 in Berlin. Das Programm hat ihm ermöglicht,Franz Welser-Möst mit dem Cleveland OrchestraundMichael Tilson ThomasmitdemNewWorldSymphonyOrchestrabeiderArbeitzubegleiten.ErwarderersteDirigent undderersteBrite,derdiesenPreisgewonnenhat. JonathanBermandirigiertmitgrosserSorgfaltundEleganz.EswareinemutigeundtiefbewegendeLeistung. GuardianüberPelléasetMélisandevonDebussy JonathanBermandirigiertDebussysrätselhaftesMeisterwerkmitGeschick. FinancialTimesüberPelléasetMélisandevonDebussy ErdirigierteanderNationaleReisOpera,EnglishTouringOpera,AldeburghFestival,GrachtenFestival, Opera Studio Netherlands, Dutch National Opera Academy, Centre for Opera Studies in Italien, assistierteam Royal Opera House, BarbicanCentre, Holland Festival, und leiteteOpernkurse bei der Dartington Summer School und dem Jerwood Opera writing course beim Aldeburgh Festival. Sein Opernrepertoire umfasst über 30 Opern aus dem Schaffenvon Mozart, Puccini, Verdi, Mussorsky, Debussy,Poulenc,Britten,Knussen,MaxwellDavies,GeorgeBenjamin,Turnage,BenjaminScheuerund GeraldBarry.UnterdenbevorstehendenProduktionensinddieManoganyOperaGroupunddasLinbury StudiodesRoyalOperaHouse. JonathansDurchbruchkamalserzweiKonzerteinTanglewoodübernahmvondenindisponiertenOlver Knussen und Stefan Asbury. Seinen Durchbruch feierte Berman als er zwei Konzerte für die zeitgleich erkrankten Dirigenten Oliver Knussen und Stefan Asbury übernahm.Eine posthume Uraufführungvon ‘MagicalTrumpets’vonGunterSchuller(einemseinerUnterstützer),WerkevonBrunoMaderna,Oliver Knussen, Mark Antony Turnage, Elliot Carter und eine Uraufführung von Charles Wuorinen mit Peter SerkinalsSoliststandenaufdemProgramm. AberalldaswareinglücklicherUmstandfürdenjungenbritischenDirigentJonathanBerman,deralleWerke übernahmdieHerrKnussenundHerrAsburygeleitethätten,undesmitderartigerKlarheitundSicherheittatdasser Schlagzeilengemachthätte,wäreermiteinemStandardrepertoirefürdasBostonSymphonyOrchestra eingesprungen. WallStreetJournal JonathanBerman,einjungerenglischerDirigentmitbeträchtlichenErfahrungeninderzeitgenössischenMusik,war nurfürMegalithvorgesehen,aberhatirgendwiegeschafftfürallefünfWerkeeinzuspringenundesspektakulär gemacht,seineAufführungensicher,wohlproportioniertundlebendig. BostonMusicalIntelegencia JonathanBerman,einRisingStarinEuropaundein2012Tanglewoodconductingfellow,wurdeeinerderHeldenvon demFestivalalserkurzfristigdasganzeProgrammübernahm-eskamsokurzfristigdassesnichtmaleineProbegab füreinesderStücke. BirkshireReview JonathansbesondereStärkeisteinekreativeProgramm-Gestaltung.GefeiertvondenKritikernals‘eines deraufregendstenKonzerteinLondonseit10Jahren’,das‘ChangingBritain’Festivalwareinevonihm konzipierte und dirigierte Konzertserie im Queen Elisabeth Hall von Londons Southbank Centre, die Musik, Politik, Film und Gedichte aus Grossbritannien von 1944 bis zur allgemeinen Wahl im 2015 zusammenbrachte. Unter den bevorstehenden Projekten ist ein Abend mit Bruckners vierter Symphonie verbunden mit TextenüberSpiritualitätundNatur;KonzertefürdasKammerensembleNeueMusikBerlin,diesichmit verschiedenen Aspekten der Individulaität und der Gruppe beschäftigen. Jonathan ist ausserdam T : +44 (0) 141 404 7444 M : +44 (0) 7841 582 851 | E : [email protected] | W : www.loganartsmanagement.com LOGANA R T S M A N A G E M E N 6 T künstlerischer Leiter eines Festival der beiden Städte Amsterdam und Berlin zum 85. Geburtstag des KomponistenAlexanderGoehr-seineMusikwirdkombiniertmitTextenundMusikausdemKanon. Jonathan studierte mit Jac van Steen in den Niederlanden und schloss mit Diplom und Master ab. JonathanwareinDirigier-StipendiatinTanglewoodundhatauchmitKennethMontgomery,LucasVis, George Hurst, and Leonid Korchmar (Mariinsky Theater, St Petersburg) studiert. Er hat ursprünglich VioloncellostudiertmitSueLoweandDimitriFerschtman. Als Teil seines Studiums, Jonathan hat als Assistent gearbeitet und Dirigenten und Orchestern ausgesuchtumsichweiterzuentwickeln,unterandern:VladimirJurowskiunddasLondonPhilharmonic Orchestra wo er Assistent war für die 14/15 Saison, sein Mentor Oliver Knussen (St Paul's Chamber Orchestra,AtlantaSymphony,NationalSymphonyOrchestraWashington,SeattleSymphony,Aldeburgh Festival, Holland Festival), Jac van Steen (Dortmund Philharmonic, CBSO, BBCNOW, Opera North), Sir Roger Norrington (SWR Orchestra Stuttgart), Kenneth Montgomery (Ulster Orchestra), und Ryan Wigglesworth (Britten Sinfonia), Saariaho Festival in Den Haag, und Stanislaw Skrowacewski, der dauerndeInspirationgabfürJonathansLeidenschaftfürBruckner. JonathanisteinStipendiatdesKempinskiYoungArtistProgramms. T : +44 (0) 141 404 7444 M : +44 (0) 7841 582 851 | E : [email protected] | W : www.loganartsmanagement.com LOGANA R T S M A N A G E M E N 7 T PRESSCOMMENTS JonathanconductingatTanglewoodwithSoloistPeterSerkin GAIDAFestival,Lithuania,Sept2016: Bermanreallyknewhowtogetthemostoutofthisfineorchestra BalticMusicalGems,Oct2016 TherisingstaroftheBritishclassicalmusic…thecharismaticBritishmasterofthebaton LithuanianArtsNews,Sept2016 BermanisoneofthemostoutstandingBritishconductorsoftheyoungergeneration Delfi.lt,2016 EnsembleModern,Nov2016: JonathanBermansecuringadedicatedresponsefromEnsembleModern ClassicalSource,2016 Vibrantworldpremier…aprogrammeofmodernclassics TheGuardian,2016 PelléasetMelisande,EnglishTouringOpera,Oct2015: JonathanBermanexpertlyconductsDebussy’senigmaticmasterpiece TheFinancialTimes,Oct2015 ThechancetohearaPelléasthisgoodatvenuesrightacrossthecountryisarareone,andonethatshouldbeseized. TheArtsDesk,Oct2015 JonathanBermanconductedwithenergy,clarityandadmirablephrasing………..PelléasetMélisandecontainsagreat dealofravishingmusic,and…isbeautifullyplayedandsunginthisproduction BackTrack,Oct2015 JonathanBermanconductswithgreatcareandelegance.It’sabrave,deeplyaffectingachievement. GuardianOct2015 Inthepit,JonathanBermanconductsthereducedscoreexpertly. T : +44 (0) 141 404 7444 M : +44 (0) 7841 582 851 | E : [email protected] | W : www.loganartsmanagement.com LOGANA R T S M A N A G E M E N 8 T FinancialTimesOct2015 Texturallyit’samiracleofallusiveflexibility,ifanythingintensifyingthework’sFrenchaccent ArtsDeskOct2015 JonathanBermanconductstheensemblefirmly TelegraphOct2015 TheorchestralensembleconductedbyJonathanBermangaveussomenicelyatmosphericmomentsandthe orchestralinterludesmademusicalsenseontheirownterms,ratherthanseemingtobejusthand-me-downversions ofthefullscore PlanetHugillOct2015 JonathanBerman’sconductingwasanotherstrength…TheebbandflowofDebussy’sscoreratherseemed–and ‘seemed’issurelytheoperativewordhere–totakecareofthemselves…thiswasmoreamatterofsubtlyenabling and,yes,leadingacompanyeffort.Inthatandmuchelse,itprovedagreatsuccess. SeenandheardinternationalOct2015 JonathanBermanconductswithapalpablesenseofmomentum……thedistinctivemusicalcharacterofthepiece registersstrongly. ThestageOct2015 TheyoungconductorJonathanBermanshapesthescorepoeticallyandhisplayersbringouttheredolenceof Debussy'sownchambermusic. What’sonstage,Oct2015 Thereducedorchestralforcesintroduceaneleganceandrefinementtothescorethatmakeitseemvaguely reminiscentofDebussy’schambermusic,andconductorJonathanBermanensuresahighdegreeofprecision MusicMOH,Oct2015 TanglewoodFestival-GuntherSchuller(WP),CharlesWuorinen(WP),ElliottCarter,Maderna,Knussen,TurnageJuly2015: Thebrassensemble,underconductorJonathanBerman,reveledinthecompendiumof12-tone,jazzandjustplain gorgeousproclamations. BerkshireEagle,July2015 Theperformers,whichincludedfiveBSOplayers,principaltrumpetThomasRolfsamongthem,nailedthefirst performance.Berman,whilethecrowdvigorouslyapplauded,heldthescorealoft. BostonGlobe,July2015 Mr.Schullerwouldsurelyhaveappreciated—afitting75thanniversarytributeindeed. NewYorkTimes,July2015 ButallthisprovedgoodnewsfortheyoungBritishconductorJonathanBerman,whopickedupalltheworksMr. KnussenandMr.Asburyweretohaveled,anddidsowiththekindofclarityandassurancethatmighthavemade headlineshadhebeenthrustsuddenlyontotheBostonSymphony’spodiuminaprogramofrepertorystaples. WallStreetJournalJuly2015 JonathanBerman,ayoungEnglishconductorwithasizablecontemporary-musicrésumé,wasscheduledtoconduct onlyMegalith,butsomehowmanagedtostepinforallfiveworksanddidaspectacularjob,hisperformances confidentandshapelyandalive. BostonMusicalIntelligencerJuly2015 JonathanBermanconductedallfiveofthelargeworks,aheroicfeat. BostonMusicalIntelligencerJuly2015 Fortunately,theyoungEnglishconductorJonathanBermanwasabletostepintothebreach,leadingpersuasive performancesofseveralchallengingworksincludingthepremiereofSchuller’sbrilliant“MagicalTrumpets.” ElliottCarter’s“ASunbeam’sArchitecture”featuredtenorNicholasPhan,whosensitivelynegotiatedtheselapidary settingsofpoemsbyE. E.Cummings,supportedbyanotherlargeensemblebravelyledbyBermanonnorehearsal. BostonGlobeJuly2015 JonathanBerman,arisingstarinEuropeanda2012Tanglewoodconductingfellow,becameoneofthefestival’s T : +44 (0) 141 404 7444 M : +44 (0) 7841 582 851 | E : [email protected] | W : www.loganartsmanagement.com LOGANA R T S M A N A G E M E N 9 T heroesbyconducting,atshortnotice,thisentireprogram—oneofthepiecesatsuchshortnoticeitdidn’thavea singlerehearsal. Bermanandthechamberorchestracapturedsobeautifully—themercurialtendernessandwitofCarter’sendlessly morphingsmallensembles,andtheteasingandseriousinterplayofCummings’swords. …thedarkdreamworldofKnussen’sTwoOrgana,Opus27(1995),withBermanagainbrilliantlysteppinginatthe lastminuteforAsbury. BerkshireReviewJuly2015 OlderReviews: “ConductorJonathanBermankeptthejewelledgearswoundandspinning.Abrawnyreadingof“DarkCrossing,”byMarkAnthonyTurnage—anotherTMCstudent-then-teacher—provedamoreprimevalgenesis,anevolvingthicketofheavy rhythmsandreiteratedmotives.” BostonGlobeJuly2014 "Theperformances,bythefellowsoftheTanglewoodMusicCenter,theNewFrommPlayersandguests,wereconsistently energeticandpolishedwithJonathanBermanconducting." Bedford,OrVoitToutenAventure,Shepherd,TheseParticularCircumstances-NewYorkTimes,August2012 "TheTanglewoodMusicCenterFellowsandNewFrommPlayerswereunsurprisinglysuperb,aswastheconductor,Knussen’s assistantJonathanBerman.Fewnew-musicconcertsmakenewmusicsoundsogood." Ives-BostonPhoenix,July2012 RisingstarJonathanBermanexpertlyassistingKnussenatconstructivecross-purposesinthisoutstandingperformanceof tremendousclarityandbrilliance,inspiteofthe(intended)raucouscacophony. ZBlog,zoemartlew.com JonathanBermandirigeertmetflairengezagdeexpressievemuziekvanDavies JonathanBermanconductswithflairandauthoritytheexpressivemusicfromDavies.TRANSL. MaxwellDaviesTheLighthouse-NRCHandelslad,August2010 HetintensspelendeinstrumentalensembleendeevenbeheerstealsspannendeleidingvanJonathanBermaneennaamom teonthouden. TRANSL. Theintenseplayingfromtheinstrumentalensemble,andtheequallycommandingandexcitingleadingfromJonathan Berman,anametoremember. MaxwellDaviesTheLighthouse-DeTelegraaf,August2010 JonathanInterviewedonLondonLiveTelevision T : +44 (0) 141 404 7444 M : +44 (0) 7841 582 851 | E : [email protected] | W : www.loganartsmanagement.com LOGANA R T S M A N A G E M E N 10 T REPERTOIRE Opera/StageWorksRepertoire Barry–ImportanceofBeingEarnest Bizet–LaTragediedeCarmen Britten–AlbertHerring Britten–RapeofLucretia Benjamin–IntotheLittleHill DeFalla–ElretablodemaesePedro Debussy–MartyrdomofStSebastien Debussy–Pelleas&Mellisande Higgins–UncleDima Knussen–WheretheWildThingsAre Knussen–HiggletyPiggletyPop MaxwellDavies–TheLighthouse Mozart–LeNozzediFigaro Mozart–LaClemenzadiTito Mussorgsky–BorisGodunov(Prelude) Nelson–SongoftheFisherman Poulenc–DialoguesDesCarmelites Poulenc–LaVoixHumaine Puccini–LaBoheme Puccini–MadameButterfly Puccini–GianniSchicchi Rossini–IlBarbierediSiviglia, Turnage–TwiceThroughtheHeart Vir–BlackFeatherRising Wagner-FliegenderHollander Wagner-DieWalküre(ActI) ConcertRepertoire Abrahamsen–Winternacht Adams–ChamberSymphony Adams–SonofChamberSymphony Adams–ShortRideinaFastMachine Adés–LifeStory Anderson–TheComedyofChange Anderson–HeavenisShyofEarth Babbitt–Quatrains Bach–MatthewPassion Barnacle–Ripple Barnacle–WindQuintet Barnacle–AureoleElipsis Bartok–ConcertoforOrchestra Bartok–Violaconcerto(T.Serly) Bray–CaughtinTreeTops Bray–DawnHorizon Bedford–OrvoittoutenAventure Bedford–OutblazetheSky Beethoven–SymphonyNo.1 Beethoven–SymphonyNo.2 Beethoven–SymphonyNo.3 Beethoven–SymphonyNo.4 Beethoven–SymphonyNo.5 Beethoven–SymphonyNo.7 Beethoven–SymphonyNo.8 Beethoven–LeonoraNo.3 Beethoven–FidelioOverture Beethoven–PrometheusOverture Beethoven–EgmontOverture Beethoven–PianoConcertono.3 Beethoven–Pianoconcertono.4 Benjamin–RingedbytheFlat Horizon Benjamin-Duet Benjamin-Olicantus Berg–DrieOrkeststucke Berg–SiebenFruheLieder Berg–ViolinConcerto Berg–ChamberConcerto Berio–Sinfonia Berio–FolkSongs Berlioz–HaroldinItaly Berlioz–SymphonieFantastique Berlioz–RomanCarnival Berlioz–Nuits’D’ete Berkeley–OrShallwedie? Berkeley–OrganConcerto Birtwistle–CarmenArcadiaeMechanicaePerpetuum Birtwistle–SilburyAir Birtwistle–Fantasiaupononenote Birtwistle–PianoConcerto Birtwistle–WhiteandLight Birtwistle–Night Birtwistle–Tenebrae Birtwistle–RefrainsandChoruses Bizet–L’ArlessienneSuite1&2 T : +44 (0) 141 404 7444 M : +44 (0) 7841 582 851 | E : [email protected] | W : www.loganartsmanagement.com LOGANA R T S M A N A G E M E N 11 T Boulez–PetiteEchoenDerive Brahms–SymphonyNo.1 Brahms–SymphonyNo.2 Brahms–SymphonyNo.3 Brahms–SymphonyNo.4 Brahms–VariationsonathemeofHaydn Brahms–AcademicFestivalOverture Brahms–TragicOverture Brahms–ViolinConcerto Brahms–PianoConcertono.1 Brahms–PianoConcertono.2 Britten–Youngperson’sGuidetotheOrchestra Britten–TheBuidlingoftheHouse Britten–CanadianOverture Britten–SpringSymphony Britten–CantataAcademica Britten–SerenadeforTenor,Hornandstrings Britten–SpringSymphony Britten–TheHousethatHebuilt Britten–4SeaInterludes Britten–Passacaglia(fromPeterGrimes) Britten–SinfoniadaRequiem Bruckner–ThreePieces Bruckner–SymphonyNo.3 Bruckner–SymphonyNo.4 Bruckner–SymphonyNo.6 Bruckner–SymphonyNo.7 Bruckner–SymphonyNo.9 Carter–AskoConcerto Carter–ArchitectureofaSunbeam Castiglioni–Tropi Castiglioni–VallisClausa Castiglioni–InvernoInver Causton–ChamberSymphony Clementi-Wiegenlied Copland–AppalachianSpring(orchestral& Ensemble) Copland–8SongsofEmilyDickinson DaFalla–ElSombreroSuite1 MaxwellDavies–Antichrist MaxwellDavies–RunesfromAHolyIsland MaxwellDavies–Pavaneand2Fantasias Debussy(arr.Holloway)–EnBlancetNoire Debussy–LaMer Debussy–PreludeaL’ApresMidiD’unFaune Delibes–CoppeliiaSuite2 Donatoni–AnAngelwithinmyHeart Donatoni–Tema Donatoni–Rasch Dukas–Sorcerer’sApprentice Dvorak–LegendsNo.1–5 Dvorak–SymphonyNo.6 Dvorak–SymphonyNo.7 Dvorak–SymphonyNo.8 Dvorak–SymphonyNo.9 Dvorak–AusdemNature Dvorak–CarnivalOverture Dvorak–Hamlet Dvorak–ViolinConcerto Dvorak–NoonDayWitch Dvorak–CelloConcerto Elgar–ConcertforVioloncello Elgar–Serenade Elgar–Elegy Elgar–TheMusicMakers Feldman–ViolainmyLife2 Feldman–ForFrankO’Hara Glanert–ContemplatedbyaPortraitoftheDivine Glinka–RusslanandLudmilla(Overture) Goehr–SingAriel Goehr–BetweentheLines Goehr–StillLands Goliov-Alone Haydn–SymphonyNo.86 Haydn–SymphonyNo.101 Handel–CoronationAnthems Handel–ParnassoinFesta Handel–ThisistheDay Harvey-You Henze–Sonate Henze–Symphony1 Henze–Symphony8 Henze–NeapolitanSongs Holt–TroubledLight Holst–ThePlanets Hoddinott–Lizard th Ives–4 ofJuly Ives–ThreePlacesinNewEngland Joubert–CelloConcerto Knussen–SongswithoutVoices Knussen–TwoOrgana Knussen–TheWaytoCastleYonder Knussen–ViolinConcerto Knussen-SymphonyinOneMovement Knussen–OpheliaDances Knussen–RequiemforSue Knussen–Coursing Knussen–HumsandSongsofWhinniethePooh Knussen–FanfaresforTanglewood Knussen–ScriabinSettings Ketting–Capriccio T : +44 (0) 141 404 7444 M : +44 (0) 7841 582 851 | E : [email protected] | W : www.loganartsmanagement.com LOGANA R T S M A N A G E M E N 12 T Ketting–MusikzueinemTonfilim Lindberg–Choral Lutoslawski–ConcertoforOrchestra Lutoslawski–Chain1 Macmillan–Veni,Veni,Emanuel Macmillan–Quickening Maderna–SeranataNo.2 Martinu-ConcertoforDoublestringorchestra,Piano andTimpani Maw–TheWorldintheevening Mahler–Symphonyno.2 Mahler–Kindertotenlieder Mahler–Symphonyno.6 Mahler–Symphonyno.7 MatthewsC.–GrandBarcarolle MatthewsC.–LBent McPhee–TabuhaTabuhan Mendelssohn–MidsommernachtTraum(complete) Mendelssohn–Symphonyno.1 Mendelssohn–Symphonyno.4 Messiaen–LesOffrandesOubliees Messiaen–L’OiseauxExotiques Messiean–ReveilledesOiseaux Mozart–AdagioandFugueinCMinor, Mozart–Requiem Mozart–MassinCminor Mozart–SymphonyinCmajor‘No46’ Mozart–SymphonyNo.22 Mozart–SymphonyNo.32 Mozart–SymphonyNo.36‘Linz’ Mozart–SymphonyNo.38 Mozart–SymphonyNo.40 Mozart–SymphonyNo.41 Mozart–VesperaeSolennesdiConfessore Mozart–ViolinConcertoNo.DMajor Mussorgsky-Ravel–PicturesatanExhibition Mussorgsky–NightonaBareMountain Neuwirth–CartographersSong Nielsen–KlienerSuite Nielsen–AlladinSuite Nono–DueEsspresione Perle–CriticalMoments Perle–CriticalMoments2 Prokofiev–SymphonyNo.5 Prokofiev–PianoconcertoNo.3 Prokofiev–ViolinConcertoNo.2 Rachmaninoff–PianoConcertono.1(original version) Rachmaninoff–SymphonicDances Rachmaninoff–Symphonyno.1 Rachmaninoff–IsleoftheDead Ravel–LaValse Ravel–ValseNoblesetSentimentales Ravel–RapsodieEspagnol Reich–TheDesertMusic Rimsky-Korsakov–CapriccioEspagnol Rimsky-Korsakov–Shéhérazade Rihm–EnPleinAir Ruders-Alone Saariaho–NotesonLight Saariaho–Aer(fromMaa) Saariaho–TheatreGraahl Saariaho–Lichtbogen Saariaho–Amers Saariaho–Orion Saariaho–L’aileDuSonge Sciarino–DueRisvelgieilVento Scriabin–Prometheus Scriabin–PianoConcerto Scriabin–PoemD’extase Schoenberg–ChamberSymphonyNo.2 Schoenberg–PierrotLunnaire Schoenberg-Begleitungsmusikzueiner Lichtspielscene Schoenberg–5OrchestralPieces Schoenberg–PianoConcerto Schubert–SymphonyNo.2 Schubert–SymphonyNo.4 Schubert–SymphonyNo.5 Schubert–SymphonyNo.8 Schubert–SymphonyNo.9 Schuller–MagicalTrumpets Schuller–Games Schuller–7StudiesonPaulKlee Schuller–ConcertinodaCamera Schumann–PianoConcerto Schumann–IntroductionandAllegro Schumann–SymphonyNo.2 Schumann–SymphonyNo.3 Schumann–SymphonyNo.4 Schwertsik-DerHerrweiswasderWi Schwertsik–HumanExistance Schwertsik–SingtmeineSchwane Shepherd–Wanderlust Shepherd–TheseParticularCircumstances Shepherd–Metamorphoses Shostakovich–SymphonyNo.5 Shostakovich–SymphonyNo.8 Shostakovich–SymphonyNo.9 Shostakovich–PianoConcertoNo.2 Sibelius–Finlandia Sibelius–SymphonyNo.2 T : +44 (0) 141 404 7444 M : +44 (0) 7841 582 851 | E : [email protected] | W : www.loganartsmanagement.com LOGANA R T S M A N A G E M E N 13 T Sibelius–SymphonyNo.3 Sibelius–SymphonyNo.4 Sibelius–SymphonyNo.5 Sibelius-SymphonyNo.7 Sibelius–LeminkainenSuite Sibelius–ValseTriste Sibelius–ViolinConcerto Sibelius–Tapiola Siwy–ViolinConcerto J.Strauss–EmperorWaltz R.Strauss–DonJuan R.Strauss–Metamorphonsen R.Strauss–AlsosprachtZarathustra Stravinsky–PulcinellaSuite Stravinsky–JeudeCartes Stravinsky–OrpheusBalletMusic Stravinsky–Symphonyin3Movements Stravinsky–SymphonyinC Stravinsky–FirebirdSuite(1919&1945) Stravinsky–SymphonyofWinds(Bothversions) Stravinsky–SoldiersTale Stravinsky–RiteofSpring Suckling–ViolinConcerto Szymanowski–ConcertOverture Takamitsu–RainComing Tchaikovsky–ViolinConcerto Tchaikovsky–RococoVariations Tchaikovsky–RomeoandJuliet Tchaikovsky–SymphonyNo.4 Tchaikovsky–SymphonyNo.5 Tchaikowsky–SymphonyNo.6 Tchaikovsky–SerenadeforStrings Turnage–DarkCrossing Varese–Octandre Vivaldi–Concertofor2Trumpets Wagner–TristanundIsolde(PreludeandLiebestot) Wagner–SiegfriedIdyll Wagner–WesendonckLeider Weber–OberonOverture Weber–FreischutzOverture Webern–Op.16Songs Webern–Op.14Songs Webern–5Pieces Widmann–TeufelAmor Widmann–FieberFantasie Wigglesworth–Locke’sTheatre Wuorinen-Megalith T : +44 (0) 141 404 7444 M : +44 (0) 7841 582 851 | E : [email protected] | W : www.loganartsmanagement.com LOGANA R T S M A N A G E M E N 14 T JONATHANBERMANismanagedworldwideby: GeneralManagement ANDREW LOGAN, LOGANARTS Management T: +44 (0) 141 404 7444 | M: +44 (0) 7841 582 851 15 Crawford Road, Milngavie, Glasgow G62 7LE, UNITED KINGDOM E : [email protected] W : www.loganartsmanagement.com Jan2017 T : +44 (0) 141 404 7444 M : +44 (0) 7841 582 851 | E : [email protected] | W : www.loganartsmanagement.com
